![Vaccine Sans Font Vaccine Sans Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T5468/c/T5468_00.jpg?20240504142412)
Vaccine Sans is a humanist sans-serif font family with soft terminals, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in setting and delicate and soft in appearance.
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![Vataga Font Vataga Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3909/c/T3909_00.jpg?20240504143156)
Non-alphabetic typeface based on Yana Kutyina drawings. It includes 82 images of human faces as well as several typical interjections. Designed by Yana Kutyina and Andrey Belonogov. Released by ParaType in 2008.
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![Venetian 301 Font Venetian 301 Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3910/c/T3910_00.jpg?20240504142826)
Bitstream version of Centaur type family. Centaur was designed by American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde
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![Vermicello Font Vermicello Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3911/c/T3911_00.jpg?20240504142553)
An original display typeface was designed for ParaType in 2007 by Isabella Chaeva. Informal handwriting shapes of letters are formed by several separate elements - traces of monoline writing tool like broad felt-tipped pen. The name of the font reveals th
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![Yanus Font Yanus Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3912/c/T3912_00.jpg?20240504142830)
Designed at ParaType (ParaGraph) in 1997 by Tagir Safayev. Inspired by Neulin Sans of Ray Gun magazine (1996). The first version of the typeface was created as part of corporate identity program for Aeroflot–Russian International Airlines. For use in both
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![Yess Font Yess Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3913/c/T3913_00.jpg?20240504142633)
![Zagolovochnaya Font Zagolovochnaya Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3914/c/T3914_00.jpg?20240504142834)
Based on the letterforms of Zagolovochnaya gazetnaya (Newspaper Display) type family of Polygraphmash in 1962 by Iraida Chepil et al. That face was a revival of Cyrillic version of Monotype Caslon designed in the late of 1930s. The artworks of Zagolov
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![Zapf Elliptical 711 Font Zapf Elliptical 711 Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3915/c/T3915_00.jpg?20240504142838)
The Bitstream version of Melior, a twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952. It is based on Zapf’s thoughts about the squared-off circle known as a super-ellipse.
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![Zhikharev Font Zhikharev Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3916/c/T3916_00.jpg?20240504142842)
Designed at Polygraphmash in 1953 by Igor Zhikharev, based on his handwriting. The digital version was developed in 1989 by Gennady Baryshnikov, with the assistance of Vladimir Yefimov. An informal monoline script. For use in both text and display matter.
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![Zubilo Font Zubilo Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3917/c/T3917_00.jpg?20240504142452)
An informal decorative sans serif was designed by Gennady Fridman and released by ParaType in 2004. Based on informal lettering.
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