Fatum is a new original ultrablack slab serif typeface that was initiated by the impression of the TDC 2011 exhibition.
Fatum Font from FREE 2024-06-05 In stock
Flox display typeface was designed in 2000 by Vladimir Pavlikov. Cyrillic was developed in 2005. The project was aimed to create a decorative vivid alphabet of geometric shapes. For use in advertising and display typography. Licensed by ParaType in 2005.
Flox Bold Font from FREE 2024-06-05 In stock
Flox display typeface was designed in 2000 by Vladimir Pavlikov. Cyrillic was developed in 2005. The project was aimed to create a decorative vivid alphabet of geometric shapes. For use in advertising and display typography. Licensed by ParaType in 2005.
Flox Regular Font from FREE 2024-06-05 In stock
Flox Rounded display typeface was designed in 2000 by Vladimir Pavlikov as alternative 'soft' variant of Flox face. In contrast to Flox there are rounded stroke ends and curved shapes in most of characters.
Flox Rounded Font from FREE 2024-06-05 In stock
Flox Rounded display typeface was designed in 2000 by Vladimir Pavlikov as alternative 'soft' variant of Flox face. In contrast to Flox there are rounded stroke ends and curved shapes in most of characters.
Flox Rounded Bold Font from FREE 2024-06-05 In stock
Foros(tm) is a modern humanist sanserif font family of 8 styles. Each style contains beside many other alternatives of upper and lowercase letters a 'unicase' character set.
Foros Font from FREE 2024-06-05 In stock
Designed at Polygraphmash type design bureau in 1987 as part of Encyclopedia-4 type family by Vladimir Yefimov. Based on Walbaum Fractur, 1800, by a German punchcutter Justus Erich Walbaum.
Fraktura Font from FREE 2024-06-05 In stock
Freaky Prickle script was written using ink and various wooden sticks and digitized/ Autor’s target was to create the spontaneous, light, flying script with dynamics and energy at the same time. Upright and cursive styles are available.
Freaky Prickle Font from FREE 2024-06-05 In stock
Freaky Prickle script was written using ink and various wooden sticks and digitized/ Autor’s target was to create the spontaneous, light, flying script with dynamics and energy at the same time. Upright and cursive styles are available.
Freaky Prickle Alt Font from FREE 2024-06-05 In stock
The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger.
FreeSet Font from FREE 2024-06-05 In stock
Freehand 471 is the Bitstream version of Cascade Script by Matthew Carter. Released by Mergenthaler Linotype in 1965, this design is based on an earlier type by the Ludlow foundry.
Freehand 471 Font from FREE 2024-06-05 In stock
The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs.
Geometric Slabserif Font from FREE 2024-06-05 In stock
Gothic 725 is the Bitstream version of Akzidenz-Grotesk first issued in 1898 by H. Berthold type foundry (Berlin). It is one of the most famous earliest Sans Serifs known as Grotesques.
Gothic 725 Font from FREE 2024-06-05 In stock
Type family of two weights was designed in 2000-2001 by Oleg Karpinsky and licensed by ParaType. Similar to Ariergard face in letterforms but differs from it by slab serifs, which always project to the center of an em square.
Gvardia Font from FREE 2024-06-05 In stock
The display typeface that is based on the shapes of traditional Chinese hieroglyphic characters. Designing the font for imitations in the Chinese style the author nevertheless demonstrates serious attitude and thoroughness using the table of keys of the r
Han Zi Font from FREE 2024-06-05 In stock
An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan. Based on the lettering created in 1970s by outstanding Armenian type designer Henrik Mnatsakanyan (1923—2001) of the same name.
Haverj Font from FREE 2024-06-05 In stock
Based on the late 1970s artwork by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001). That was the only design created by Mnatsakanyan for Latin and Cyrillic. Digital version with adding the missing characters was designed for ParaType in
Henman Font from FREE 2024-06-05 In stock
PT Henman Pictograms™ was based on Armenian ornaments revived by Henrik Mnatsakanyan, with participation of Manvel Shmavonyan. The digital version was developed for ParaType in 2002 by Manvel Shmavonyan.
Henman Pictograms Font from FREE 2024-06-05 In stock
The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Based on Placard typeface (Hermes Grotesk) of the Lange type foundry (St.-Petersburg), an adaptation of Hermes Grotesk, of the Woellmer type foundry (Berlin, middle of the 19th ce
Hermes Font from FREE 2024-06-05 In stock
The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St.-Petersburg). The bold style based on
Herold Font from FREE 2024-06-05 In stock
Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.
Hortensia Font from FREE 2024-06-05 In stock
The Bitstream version of Gill Sans (Gill Kayo) of Monotype, 1930, by Eric Gill. A twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel. Best used for display
Humanist 521 Font from FREE 2024-06-05 In stock
