Humanist 521 is a Bitstream digitized version of Gill Sans typeface. The font was designed by Eric Gill and released by Monotype circa 1928-1930.
Humanist 521 Font from FREE 2024-06-05 In stock
The Bitstream version of Syntax (Stempel, 1968) by Hans Eduard Meier. A humanist sans-serif typeface with an optically even thickness of line which interprets a humanist old style type of the Renaissance. Its vertical strokes are inclined to the right by
Humanist 531 Font from FREE 2024-06-05 In stock
Designed for ParaType in 1999-2003 by Manvel Shmavonyan. Low-contrasted Serif typeface has large x-height and small square cove serifs. For use for text and display typography. Due to its open letterforms and big number of styles the face is a good compan
Hybrid Font from FREE 2024-06-05 In stock
The typeface was designed by Gennady Baryshnikov. Bold Italic is based on Flash typeface, 1939, by Edwin W. Sharr. Additional styles were developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov and Alexander Tarbeev. Inspired by non-joining brush ca
Inform Font from FREE 2024-06-05 In stock
Designed at Polygraphmash type design bureau in 1988 by Svetlana Yermolaeva. Based on Kirillitsa (1982), inspired by typographic poluustav of the Printing Office of the Russian Empire Academy of Science (late 19th century). Shadow style was added by Alexa
Izhitsa Font from FREE 2024-06-05 In stock
The script designed for ParaType in 2006 by Isabella Chaeva. Based on informal handwriting.Its characters have rough jaggy contour; in small sizes the face simulates an effect of handwriting by felted pen on rough paper. For use in advertising and display
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Designed at ParaType (ParaGraph) in 1994 by Alexander Tarbeev. Based on informal handwriting. For use in advertising and display typography.
Jakob Font from FREE 2024-06-05 In stock
Jeff Script is based on original handwriting of renowned Russian type designer Vladimir Yefimov. Vladimir designed a plenty of Cyrillic fonts that became the classical ones between contemporary Cyrillic type designs.
Jeff Script Font from FREE 2024-06-05 In stock
The sketch of Joker has been drawn by Viktor Kharyk in 1978 as experiment on creation type by a method of subtraction. In 2000 the font has been digitized, modified and added by a Hebrew, Greek, Georgian, Armenian and Arabi? alphabets and outline style.
Joker Font from FREE 2024-06-05 In stock
Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tsaregorodtseva.
Journal Font from FREE 2024-06-05 In stock
Journal Sans New is a contemporary redesign of Journal Sans typeface which was developed in 1940–1956 by the group of designers under Anatoly Shchukin. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A. Dwiggins.
Journal Sans New Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1994 by Tatiana Lyskova. Based on Karola Grotesk of H.Berthold and Bauer type foundries (early 20th century) and Boutique of Haas type foundry (Munchenshtein, Switzerland). Bold style based on Hercules of H.Berthold fou
Karolla Font from FREE 2024-06-05 In stock
Kartell type family was designed by Oleg Karpinsky for ParaType in 2006. It consists of three weight styles with corresponding Italics. The Open Type version contains a lot of alternate characters and additional ligatures. Design features: lower contrast
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Script font developed for ParaType in 2007 by Gennady Fridman on the base of informal handwriting. The handwriting belongs to a woman of middle class that have found her place in the life and does not pretend to get more. It produces a feeling of reliabil
Katherine Font from FREE 2024-06-05 In stock
The Bitstream version of Linotype Janson. Nicholas Kis (Kis Miklos) was a Hungarian punchcutter who worked in Amsterdam. His types are some of the greatest in the Dutch old face style and have been used as models for a number of developments in this centu
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The first version of Kremlin was designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on an informal handwriting. Kremlin is a Russian word for a fortress or a citadel. The reason why the author selected this word for the font name is not quit
Kremlin Pro Font from FREE 2024-06-05 In stock
The typeface (formerly known as Kudryashevskaya Entsiklopedicheskaya) was designed in 1960-1974 by Nikolay Kudryashev and Zinaida Maslennikova at Polygraphmash type design bureau for the Bol'shaya Sovetskaya Entsiklopedia (the Large Soviet Encyclopae
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Bitstream typeface based on Koch Antiqua by Rudolph Koch (Klingspor, 1922). Koch Antiqua, also known as Locarno and Eve, is the most popular face of one of the great lettering artists of the 20th century.
Kuenstler 165 Font from FREE 2024-06-05 In stock
The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface. It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e
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The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition.
Kuzanyan Font from FREE 2024-06-05 In stock
An original type family designed for ParaType in 2001 by Zakhar Yaschin. The fonts were created within 'One Touch' project. The aim of the experiment was searching for a grapheme through primitive forms and intentional avoiding adjusted
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Ladoga — one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles.
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Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by the early 16th century typefaces of I
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PT Lehmann™ was designed for ParaType in 2002 by Tagir Safayev. Inspired by letterforms of Shiroky (Wide) Renaissance typeface and other fonts of Ossip Lehmann foundry, St.-Petersburg, c. 1874.
Lehmann Font from FREE 2024-06-05 In stock
