Designed at ParaType (ParaGraph) in 1997 by Tagir Safayev. Inspired by Neulin Sans of Ray Gun magazine (1996). The first version of the typeface was created as part of corporate identity program for Aeroflot–Russian International Airlines. For use in both
Yanus Font from FREE 2024-06-05 In stock
Bitstream version of Centaur type family. Centaur was designed by American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde
Venetian 301 Font from FREE 2024-06-05 In stock
Designed at Polygraphmash in 1958 by Elena Tsaregorodtseva; Latin characters and italic were added in 1987 by Emma Zakharova. An early sans serif ('Grotesque'), it was developed for primers and the first level school textbooks.
TextBook Font from FREE 2024-06-05 In stock
Telegraph font family was developed on the base of scanned images of telegraph printing machines. It consists of 4 styles: Natural is the most close to original scans with all defects of positioning and dirty print on the rough telegraph paper tape; Clean
Telegraph Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on informal pen handwriting. A set of Western and Central European characters was added in 2011 by Gennady Fridman. For use in advertising and display typography.
Tatiana Font from FREE 2024-06-05 In stock
Designed in 1976–81 by Michael Rovensky (1902–1996) as the body text companion of his Bazhanov Display typeface (1961), of Polygraphmash typefoundry. Based on the lettering by Moscow book designer Dmitry Bazhanov (1902–1945).
Svetlana Font from FREE 2024-06-05 In stock
An original text and display type family was designed for ParaType in 2008 by Manvel Shmavonyan to be used together with Susan, earlier released sans by the same author. This is a low-contrast slabserif font with open letterforms. Its shape is distinguish
Susan Classic Font from FREE 2024-06-05 In stock
An original text and display type family was designed for ParaType in 2007 by Manvel Shmavonyan. The face named after designer’s wife. This is an open sans serif font with soft letterforms distinguished by rounded details resembling rudimentary serifs.
Susan Font from FREE 2024-06-05 In stock
PT Stroganov™ was designed in 2002 by Oleg Karpinsky and licensed by ParaType. An original low-contrast typeface with irregular one-sided serifs. It has been named after Count Sergey Stroganov, the founder of the Stroganov School of Industrial Art in Mosc
Stroganov Font from FREE 2024-06-05 In stock
Designed at Polygraphmash type design bureau in 1986. Based on 'English' bold styles of the Ossip Lehmann type foundry (St.-Petersburg), of mid-19th century. The digital version was developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov.
Standard Poster Font from FREE 2024-06-05 In stock
Designed in 2003 by Isay Slutsker and Irina Smirnova. Based on the calligraphic typeface of mid-1980 by Moscow type designer Isay Slutsker (1924-2002). There is a free variation of flat nib pen calligraphy. For use in advertising and display typography.
Slutsker Script Font from FREE 2024-06-05 In stock
The typeface was designed at the Polygraphmash type design bureau in 1949-61 (project manager Elena Tsaregorodtseva). Based on Shkolnaya ('School') typeface, 1939 (project manager Evgeny Chernevsky), a version of Century Schoolbook of American T
Schoolbook Font from FREE 2024-06-05 In stock
Rossika is a four-style typeface designed by Oleg Karpinsky in 2002-2004 for the ParaType company. The general design and some letterforms were borrowed from antique Russian typefaces of XV-XVIII centuries. For example, the upper Cyrillic N has a diagonal
Rossika Font from FREE 2024-06-05 In stock
Ripe Apricot is display typeface with flared semi-serifs. The design was created by renowned Armenian type designer Manvel Shmavonyan who gave to the typeface such a name not because of some associations with letterforms but just because the end of the lo
Ripe Apricot Font from FREE 2024-06-05 In stock
Revival 565 is the Bitstream version of type Berling. The face was created by Karl-Erik Forsberg for the Swedish Berling foundry in 1951, with other weights added in 1958. The design is an old style roman, particularly useful for books, journals, and othe
Revival 565 Font from FREE 2024-06-05 In stock
Raleigh was produced in 1977 by Robert Norton based on Carl Dair's Cartier typeface which was designed for the 1969 Montreal World's Fair. It was renamed after Dair's death. Adrian Williams added three weights for a display series, and Robe
Raleigh Font from FREE 2024-06-05 In stock
Quartal is a family of stylish sans serif typefaces of condensed proportions. The family consists of 5 regular weights, 4 condensed ones and 13 extended styles (7 upright and 6 italic). At first there was intention to release just 4 condensed weights for
Quartal Font from FREE 2024-06-05 In stock
The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1
Quant Antiqua Font from FREE 2024-06-05 In stock
PT Quadrat Grotesk™ was designed for ParaType in 2001 by Vladimir Pavlikov. An expanded sans serif with square letterforms due to what the face was named. Based on the shapes of one of old Russian wooden types. Wooden types were used for placard display c
Quadrat Grotesk Font from FREE 2024-06-05 In stock
Plastilin type family of two weights obtained its name due to the soft, curved, stroke terminals of characters (J, K, L, R and others) and the little pointed serifs, as if extruded from stroke plastic mass. The character set has a lot of additional Latin
Plastilin Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on Kudryashevskaya Encyclopedicheskaya of Polygraphmash, 1960–74, a typeface by Nikolai Kudryashev and Zinaida Maslennikova. A very lightweight style with neutral letterforms, it is quite
Petersburg Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1990 by Elvira Slysh. Based on Brush Script of American Type Founders, 1972, by Robert E. Smith. ? popular and widely used script face.
Parsek Font from FREE 2024-06-05 In stock
