![MagMixer Font MagMixer Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3827/c/T3827_00.jpg?20240504142943)
MagMixer display typeface was designed in 2005 for ParaType by Dmitry Kirsanov. During work on Magistral the disigner catched an idea of creation of more decorative face based on Magistral shapes but reflected an industrial and mechanichal approach.
MagMixer Font from FREE 2024-06-05 In stock
![Decor Font Decor Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3750/c/T3750_00.jpg?20240504142935)
Designed in 1989 by Gennady Baryshnikov with participation of Vladimir Yefimov. Based on the calligraphic typeface of 1979 by Moscow book and type designer Pavel Kuzanyan (1901–1992). For use in advertising and display typography.
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![Cooper Font Cooper Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3745/c/T3745_00.jpg?20240504142931)
Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand com
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![Buratino Font Buratino Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3737/c/T3737_00.jpg?20240504142927)
Buratino font got its name from a title character of Russian fairy tale — a clone of Pinocchio. Initially font was cut from a log and then scanned and converted into outline format. The font contains just upper case characters.
Buratino Font from FREE 2024-06-05 In stock
![Lunokhod Font Lunokhod Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3824/c/T3824_00.jpg?20240504143124)
Lunokhod type family (four weights) was designed by Oleg Karpinsky for ParaType in 2005. Lunokhod is an original wide sans serif with square shapes of oval glyphs.
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![Literaturnaya Font Literaturnaya Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3821/c/T3821_00.jpg?20240504143120)
Designed at NII OGIZ type design bureau circa 1940. Based on Latinskaya of the Berthold foundry (St.-Petersburg, 1901), Cyrillic version of Lateinische of H.Berthold (Berlin, 1899). The digital version was developed at ParaType (ParaGraph) in 1996 by Lyub
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![Lidia Font Lidia Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3820/c/T3820_00.jpg?20240504143115)
The decorative title typeface was designed at Polygraphmash type design bureau in 1967 by Iraida Chepil'. It is a decorative variant ('open', or 'engraved') of classical serif typefaces.
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![Lazurski Font Lazurski Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3815/c/T3815_00.jpg?20240504143111)
Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by the early 16th century typefaces of I
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![Kuzanyan Font Kuzanyan Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3812/c/T3812_00.jpg?20240504143107)
The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition.
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![Kuenstler 480 Font Kuenstler 480 Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3811/c/T3811_00.jpg?20240504143023)
The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface. It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e
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![Kuenstler 165 Font Kuenstler 165 Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3810/c/T3810_00.jpg?20240504143103)
Bitstream typeface based on Koch Antiqua by Rudolph Koch (Klingspor, 1922). Koch Antiqua, also known as Locarno and Eve, is the most popular face of one of the great lettering artists of the 20th century.
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![Kis Font Kis Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3807/c/T3807_00.jpg?20240504143059)
The Bitstream version of Linotype Janson. Nicholas Kis (Kis Miklos) was a Hungarian punchcutter who worked in Amsterdam. His types are some of the greatest in the Dutch old face style and have been used as models for a number of developments in this centu
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![Kartell Font Kartell Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3805/c/T3805_00.jpg?20240504143055)
Kartell type family was designed by Oleg Karpinsky for ParaType in 2006. It consists of three weight styles with corresponding Italics. The Open Type version contains a lot of alternate characters and additional ligatures. Design features: lower contrast
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![Jakob Font Jakob Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3801/c/T3801_00.jpg?20240504143051)
Designed at ParaType (ParaGraph) in 1994 by Alexander Tarbeev. Based on informal handwriting. For use in advertising and display typography.
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![Inform Font Inform Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3798/c/T3798_00.jpg?20240504143047)
The typeface was designed by Gennady Baryshnikov. Bold Italic is based on Flash typeface, 1939, by Edwin W. Sharr. Additional styles were developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov and Alexander Tarbeev. Inspired by non-joining brush ca
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![Humanist 521 Font Humanist 521 Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3795/c/T3795_00.jpg?20240504143043)
The Bitstream version of Gill Sans (Gill Kayo) of Monotype, 1930, by Eric Gill. A twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel. Best used for display
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![Hortensia Font Hortensia Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3793/c/T3793_00.jpg?20240504143039)
Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.
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![Herold Font Herold Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3792/c/T3792_00.jpg?20240504143035)
The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St.-Petersburg). The bold style based on
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![Blonde Fraktur Font Blonde Fraktur Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3726/c/T3726_00.jpg?20240504143031)
Blonde Fraktur is a free interpretation of the Gothic theme in Cyrillic. The font is neither Fraktur nor any other Gothic script from the formal point of view, but it makes text look like Gothic script, no matter which language is used.
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![Betina Script Font Betina Script Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3722/c/T3722_00.jpg?20240504143027)
The type family was designed at ParaType (ParaGraph) in 1992 by Alexander Tarbeev. Based on the handwriting of the German graphic artist Betina Kuntzsch. For use in advertising and display typography.
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![Magistral Font Magistral Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3826/c/T3826_00.jpg?20240504143128)
The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov. They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997).
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![Vataga Font Vataga Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3909/c/T3909_00.jpg?20240504143156)
Non-alphabetic typeface based on Yana Kutyina drawings. It includes 82 images of human faces as well as several typical interjections. Designed by Yana Kutyina and Andrey Belonogov. Released by ParaType in 2008.
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![UniOpt Font UniOpt Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3907/c/T3907_00.jpg?20240504143152)
An experimental font designed by Viktor Kharyk in Op Art style. UniOpt is based on free brush technique similar to experimental lettering of early decades of 20th century; for instance to ‘Graficheskaya Azbuka’ (‘Graphic ABC’) by Peter Miturich and works
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![Petroglyph Font Petroglyph Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3865/c/T3865_00.jpg?20240504143148)
PT Petroglyph™ was designed by Ekaterina Kulagina and licensed by ParaType in 2002. The type was created on the basis of petroglyphs (rock-carvings) that are known in 77 countries. They remained in a form of geometrical drawings in the caves of North Spai
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