Designed in 2003 by Isay Slutsker and Irina Smirnova. Based on the calligraphic typeface of mid-1980 by Moscow type designer Isay Slutsker (1924-2002). There is a free variation of flat nib pen calligraphy. For use in advertising and display typography.
Slutsker Script Font from FREE 2024-06-05 In stock
Designed at Polygraphmash type design bureau in 1986. Based on 'English' bold styles of the Ossip Lehmann type foundry (St.-Petersburg), of mid-19th century. The digital version was developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov.
Standard Poster Font from FREE 2024-06-05 In stock
PT Stroganov™ was designed in 2002 by Oleg Karpinsky and licensed by ParaType. An original low-contrast typeface with irregular one-sided serifs. It has been named after Count Sergey Stroganov, the founder of the Stroganov School of Industrial Art in Mosc
Stroganov Font from FREE 2024-06-05 In stock
An original text and display type family was designed for ParaType in 2007 by Manvel Shmavonyan. The face named after designer’s wife. This is an open sans serif font with soft letterforms distinguished by rounded details resembling rudimentary serifs.
Susan Font from FREE 2024-06-05 In stock
Designed at Polygraphmash in 1958 by Elena Tsaregorodtseva; Latin characters and italic were added in 1987 by Emma Zakharova. An early sans serif ('Grotesque'), it was developed for primers and the first level school textbooks.
TextBook Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on informal pen handwriting. A set of Western and Central European characters was added in 2011 by Gennady Fridman. For use in advertising and display typography.
Tatiana Font from FREE 2024-06-05 In stock
Telegraph font family was developed on the base of scanned images of telegraph printing machines. It consists of 4 styles: Natural is the most close to original scans with all defects of positioning and dirty print on the rough telegraph paper tape; Clean
Telegraph Font from FREE 2024-06-05 In stock
Bitstream version of Centaur type family. Centaur was designed by American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde
Venetian 301 Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1997 by Tagir Safayev. Inspired by Neulin Sans of Ray Gun magazine (1996). The first version of the typeface was created as part of corporate identity program for Aeroflot–Russian International Airlines. For use in both
Yanus Font from FREE 2024-06-05 In stock
Based on the letterforms of Zagolovochnaya gazetnaya (Newspaper Display) type family of Polygraphmash in 1962 by Iraida Chepil et al. That face was a revival of Cyrillic version of Monotype Caslon designed in the late of 1930s. The artworks of Zagolov
Zagolovochnaya Font from FREE 2024-06-05 In stock
The Bitstream version of Melior, a twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952. It is based on Zapf’s thoughts about the squared-off circle known as a super-ellipse.
Zapf Elliptical 711 Font from FREE 2024-06-05 In stock
Designed at Polygraphmash in 1953 by Igor Zhikharev, based on his handwriting. The digital version was developed in 1989 by Gennady Baryshnikov, with the assistance of Vladimir Yefimov. An informal monoline script. For use in both text and display matter.
Zhikharev Font from FREE 2024-06-05 In stock
Ripe Apricot is display typeface with flared semi-serifs. The design was created by renowned Armenian type designer Manvel Shmavonyan who gave to the typeface such a name not because of some associations with letterforms but just because the end of the lo
Ripe Apricot Font from FREE 2024-06-05 In stock
Rossika is a four-style typeface designed by Oleg Karpinsky in 2002-2004 for the ParaType company. The general design and some letterforms were borrowed from antique Russian typefaces of XV-XVIII centuries. For example, the upper Cyrillic N has a diagonal
Rossika Font from FREE 2024-06-05 In stock
The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1
Quant Antiqua Font from FREE 2024-06-05 In stock
Revival 565 is the Bitstream version of type Berling. The face was created by Karl-Erik Forsberg for the Swedish Berling foundry in 1951, with other weights added in 1958. The design is an old style roman, particularly useful for books, journals, and othe
Revival 565 Font from FREE 2024-06-05 In stock
A decorative face with original swashes and curls in its letterforms. For use in advertising and display matter. The face designed by Natalya Vasilyeva and licensed by ParaType in 2007.
Lockon Font from FREE 2024-06-05 In stock
Raleigh was produced in 1977 by Robert Norton based on Carl Dair's Cartier typeface which was designed for the 1969 Montreal World's Fair. It was renamed after Dair's death. Adrian Williams added three weights for a display series, and Robe
Raleigh Font from FREE 2024-06-05 In stock
Quartal is a family of stylish sans serif typefaces of condensed proportions. The family consists of 5 regular weights, 4 condensed ones and 13 extended styles (7 upright and 6 italic). At first there was intention to release just 4 condensed weights for
Quartal Font from FREE 2024-06-05 In stock
An original text and display type family was designed for ParaType in 2008 by Manvel Shmavonyan to be used together with Susan, earlier released sans by the same author. This is a low-contrast slabserif font with open letterforms. Its shape is distinguish
Susan Classic Font from FREE 2024-06-05 In stock
PT Quadrat Grotesk™ was designed for ParaType in 2001 by Vladimir Pavlikov. An expanded sans serif with square letterforms due to what the face was named. Based on the shapes of one of old Russian wooden types. Wooden types were used for placard display c
Quadrat Grotesk Font from FREE 2024-06-05 In stock
Script font developed for ParaType in 2007 by Gennady Fridman on the base of informal handwriting. The handwriting belongs to a woman of middle class that have found her place in the life and does not pretend to get more. It produces a feeling of reliabil
Katherine Font from FREE 2024-06-05 In stock
The first version of Kremlin was designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on an informal handwriting. Kremlin is a Russian word for a fortress or a citadel. The reason why the author selected this word for the font name is not quit
Kremlin Pro Font from FREE 2024-06-05 In stock
An original calligraphic script was designed by Natalya Vasilyeva and released by ParaType for advertizing and other display use. The first release of 2003 contained just Cyrillic character set. The font became very popular and in 2009 Natalya extended th
Motiv Font from FREE 2024-06-05 In stock
