PT Petroglyph™ was designed by Ekaterina Kulagina and licensed by ParaType in 2002. The type was created on the basis of petroglyphs (rock-carvings) that are known in 77 countries. They remained in a form of geometrical drawings in the caves of North Spai
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A set of figures designed at ParaType (ParaGraph) in 1992 by Elvira Slysh.
Numerals Font from FREE 2024-06-05 In stock
Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes.
Deca Serif Font from FREE 2024-06-05 In stock
Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in smal
Deca Sans Font from FREE 2024-06-05 In stock
An experimental font designed by Viktor Kharyk in Op Art style. UniOpt is based on free brush technique similar to experimental lettering of early decades of 20th century; for instance to ‘Graficheskaya Azbuka’ (‘Graphic ABC’) by Peter Miturich and works
UniOpt Font from FREE 2024-06-05 In stock
Two sets of signs and pictures designed by Natalia Vasilyeva. The first one includes figures, arrows, geometric shapes and other signs of abstract nature.
Nat Pictures One Font from FREE 2024-06-05 In stock
Designed for ParaType in 2003 by Tagir Safayev. The typeface was inspired by some of the Cyrillic letterforms of Sergey Chekhonin (1878-1936). Chekhonin belonged to the World of Art group, which is so closely associated with the flowering of Russian book
Serp and Molot Font from FREE 2024-06-05 In stock
PT Nat Vignette™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. Original vignettes may be used as fleuron and composed borders and corners as well.
Nat Vignette Font from FREE 2024-06-05 In stock
Two sets of signs and pictures designed by Natalia Vasilyeva. The first one includes figures, arrows, geometric shapes and other signs of abstract nature. The second set — pictures of flora and fauna (animals, fishes, birds, insects, plants,...) and pictu
Nat Pictures Two Font from FREE 2024-06-05 In stock
Milanette is a set of 74 original vignettes designed by calligrapher Lyudmila Mikhailova. These light, graceful, dynamic flourishes -- tiny graphic compositions -- present visual replicas of her emotions and realize her innate love for intrinsic beauty of
Milanette Font from FREE 2024-06-05 In stock
A set of symbols was designed for ParaType in 2002 by Dmitry Kirsanov as a part of PT Mas d`Azil™ family. Based on the images on stones discovered in a prehistoric cave of Mas-d`Azil, France.
Mas d`Azil Symbol Font from FREE 2024-06-05 In stock
Non-alphabetic typeface consisting of 38 silhouette and outline images of women’s footwear and accessories. Designed by Yana Kutyina. Released by ParaType in 2008.
Lustre Font from FREE 2024-06-05 In stock
An original type family designed for ParaType in 2001 by Zakhar Yaschin. The fonts were created within 'One Touch' project. The aim of the experiment was searching for a grapheme through primitive forms and intentional avoiding adjusted
KvadratZ Font from FREE 2024-06-05 In stock
The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs.
Geometric Slabserif Font from FREE 2024-06-05 In stock
Milafleur presents the second member in the series of pictorial fonts with calligraphic miniatures by Lyudmila Mikhailova. The first font of the series, Milanette, was released one month earlier.
Milafleur Font from FREE 2024-06-05 In stock
PT Henman Pictograms™ was based on Armenian ornaments revived by Henrik Mnatsakanyan, with participation of Manvel Shmavonyan. The digital version was developed for ParaType in 2002 by Manvel Shmavonyan.
Henman Pictograms Font from FREE 2024-06-05 In stock
PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions.
PT Sans Pro Font from FREE 2024-06-05 In stock
PT Lehmann™ was designed for ParaType in 2002 by Tagir Safayev. Inspired by letterforms of Shiroky (Wide) Renaissance typeface and other fonts of Ossip Lehmann foundry, St.-Petersburg, c. 1874.
Lehmann Font from FREE 2024-06-05 In stock
The Bitstream version of Syntax (Stempel, 1968) by Hans Eduard Meier. A humanist sans-serif typeface with an optically even thickness of line which interprets a humanist old style type of the Renaissance. Its vertical strokes are inclined to the right by
Humanist 531 Font from FREE 2024-06-05 In stock
The design of Reforma Grotesk fonts is based on the letterforms of Russian pre-revolutionary hand composition typefaces: Uzky Tonky Grotesk («Condensed Thin Sans»), Poluzhirny Knizhny Grotesk («Semibold Book Sans») and Reforma of H. Berthold and O. Lehman
Reforma Grotesk Font from FREE 2024-06-05 In stock
Nat Grotesk family consists of 14 styles including 6 narrow ones. It has a half-closed sans serif design with simple and clear lettershapes. Due to compact proportions the face is very space saving, but nevertheless it is rather legible even in small size
Nat Grotesk Font from FREE 2024-06-05 In stock
The typeface was designed at ParaType (ParaGraph) in 1990 by Alexander Tarbeev based on Pragmatica typeface, 1989 by Vladimir Yefimov. A monospaced condensed sans serif.
Mono Condensed Font from FREE 2024-06-05 In stock
Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extra Light to Black).
Leksa Sans Font from FREE 2024-06-05 In stock
Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps.
Leksa Font from FREE 2024-06-05 In stock
