An informal decorative sans serif was designed by Gennady Fridman and released by ParaType in 2004. Based on informal lettering.
Zubilo Font from FREE 2024-06-05 In stock
Designed at Polygraphmash in 1953 by Igor Zhikharev, based on his handwriting. The digital version was developed in 1989 by Gennady Baryshnikov, with the assistance of Vladimir Yefimov. An informal monoline script. For use in both text and display matter.
Zhikharev Font from FREE 2024-06-05 In stock
The Bitstream version of Melior, a twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952. It is based on Zapf’s thoughts about the squared-off circle known as a super-ellipse.
Zapf Elliptical 711 Font from FREE 2024-06-05 In stock
Based on the letterforms of Zagolovochnaya gazetnaya (Newspaper Display) type family of Polygraphmash in 1962 by Iraida Chepil et al. That face was a revival of Cyrillic version of Monotype Caslon designed in the late of 1930s. The artworks of Zagolov
Zagolovochnaya Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1997 by Tagir Safayev. Inspired by Neulin Sans of Ray Gun magazine (1996). The first version of the typeface was created as part of corporate identity program for Aeroflot–Russian International Airlines. For use in both
Yanus Font from FREE 2024-06-05 In stock
An original display typeface was designed for ParaType in 2007 by Isabella Chaeva. Informal handwriting shapes of letters are formed by several separate elements - traces of monoline writing tool like broad felt-tipped pen. The name of the font reveals th
Vermicello Font from FREE 2024-06-05 In stock
Bitstream version of Centaur type family. Centaur was designed by American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde
Venetian 301 Font from FREE 2024-06-05 In stock
Non-alphabetic typeface based on Yana Kutyina drawings. It includes 82 images of human faces as well as several typical interjections. Designed by Yana Kutyina and Andrey Belonogov. Released by ParaType in 2008.
Vataga Font from FREE 2024-06-05 In stock
Vaccine Sans is a humanist sans-serif font family with soft terminals, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in setting and delicate and soft in appearance.
Vaccine Sans Font from FREE 2024-06-05 In stock
Vaccine is a slab serif font family with a mixture of the usual and one-sided serifs. We call it 'semi semi slab serif'. Serifs and terminals have soft rounded shapes, but stem junctions on the contrary use hard constructions.
Vaccine Font from FREE 2024-06-05 In stock
PT Unovis™ was designed for ParaType in 2001 by Tagir Safayev. Inspired by the shapes of lettering of the Russian Avant Garde artists of Kazimir Malevich’s circle at the beginning of the 20th century. Based on simple geometric forms. Caps only.
Unovis Font from FREE 2024-06-05 In stock
An experimental font designed by Viktor Kharyk in Op Art style. UniOpt is based on free brush technique similar to experimental lettering of early decades of 20th century; for instance to ‘Graficheskaya Azbuka’ (‘Graphic ABC’) by Peter Miturich and works
UniOpt Font from FREE 2024-06-05 In stock
Font family Titla Brus was developed as an extension of Titla, released earlier in 2009. New slab serif family consists of 10 members that present 5 weights from Light to Black and can be used in combination with Titla or by itself in different display ma
Titla Brus Font from FREE 2024-06-05 In stock
The name of the font Titla emphasizes it heading and display functionality. At the same time low contrast, narrow proportions, wide variety of weights and clear glyph constructions make it possible to use it for long texts as well.
Titla Font from FREE 2024-06-05 In stock
Designed for ParaType in 2007 by Isabella Chaeva. The type is based on Bukvarnaya (TextBook) photocomposing version designed in 1987 by Emma Zakharova.
Textbook New Font from FREE 2024-06-05 In stock
Designed at Polygraphmash in 1958 by Elena Tsaregorodtseva; Latin characters and italic were added in 1987 by Emma Zakharova. An early sans serif ('Grotesque'), it was developed for primers and the first level school textbooks.
TextBook Font from FREE 2024-06-05 In stock
Telegraph font family was developed on the base of scanned images of telegraph printing machines. It consists of 4 styles: Natural is the most close to original scans with all defects of positioning and dirty print on the rough telegraph paper tape; Clean
Telegraph Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on informal pen handwriting. A set of Western and Central European characters was added in 2011 by Gennady Fridman. For use in advertising and display typography.
Tatiana Font from FREE 2024-06-05 In stock
Designed in 1976–81 by Michael Rovensky (1902–1996) as the body text companion of his Bazhanov Display typeface (1961), of Polygraphmash typefoundry. Based on the lettering by Moscow book designer Dmitry Bazhanov (1902–1945).
Svetlana Font from FREE 2024-06-05 In stock
An original text and display type family was designed for ParaType in 2008 by Manvel Shmavonyan to be used together with Susan, earlier released sans by the same author.
Susan Sans Font from FREE 2024-06-05 In stock
An original text and display type family was designed for ParaType in 2008 by Manvel Shmavonyan to be used together with Susan, earlier released sans by the same author. This is a low-contrast slabserif font with open letterforms. Its shape is distinguish
Susan Classic Font from FREE 2024-06-05 In stock
An original text and display type family was designed for ParaType in 2007 by Manvel Shmavonyan. The face named after designer’s wife. This is an open sans serif font with soft letterforms distinguished by rounded details resembling rudimentary serifs.
Susan Font from FREE 2024-06-05 In stock
PT Stroganov™ was designed in 2002 by Oleg Karpinsky and licensed by ParaType. An original low-contrast typeface with irregular one-sided serifs. It has been named after Count Sergey Stroganov, the founder of the Stroganov School of Industrial Art in Mosc
Stroganov Font from FREE 2024-06-05 In stock
