MagMixer display typeface was designed in 2005 for ParaType by Dmitry Kirsanov. During work on Magistral the disigner catched an idea of creation of more decorative face based on Magistral shapes but reflected an industrial and mechanichal approach.
MagMixer Font from FREE 2024-06-05 In stock
Non-alphabetic typeface consisting of 38 silhouette and outline images of women’s footwear and accessories. Designed by Yana Kutyina. Released by ParaType in 2008.
Lustre Font from FREE 2024-06-05 In stock
Lunokhod type family (four weights) was designed by Oleg Karpinsky for ParaType in 2005. Lunokhod is an original wide sans serif with square shapes of oval glyphs.
Lunokhod Font from FREE 2024-06-05 In stock
A decorative face with original swashes and curls in its letterforms. For use in advertising and display matter. The face designed by Natalya Vasilyeva and licensed by ParaType in 2007.
Lockon Font from FREE 2024-06-05 In stock
Designed at NII OGIZ type design bureau circa 1940. Based on Latinskaya of the Berthold foundry (St.-Petersburg, 1901), Cyrillic version of Lateinische of H.Berthold (Berlin, 1899). The digital version was developed at ParaType (ParaGraph) in 1996 by Lyub
Literaturnaya Font from FREE 2024-06-05 In stock
The decorative title typeface was designed at Polygraphmash type design bureau in 1967 by Iraida Chepil'. It is a decorative variant ('open', or 'engraved') of classical serif typefaces.
Lidia Font from FREE 2024-06-05 In stock
Liberteen is a display typeface combining contemporary sharpness of lettershapes and post-modern irony in details with historical roots. The typeface is based on slab-serif faces of the 19th century including famous Clarendon. Liberteen is not a rev...
Liberteen Font from FREE 2024-06-05 In stock
The typeface was created for TypeMarket in 1998 by Natalia Vasilyeva. Based on Lainie of Soft Horizonts.
Liana Font from FREE 2024-06-05 In stock
Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extra Light to Black).
Leksa Sans Font from FREE 2024-06-05 In stock
Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps.
Leksa Font from FREE 2024-06-05 In stock
PT Lehmann™ was designed for ParaType in 2002 by Tagir Safayev. Inspired by letterforms of Shiroky (Wide) Renaissance typeface and other fonts of Ossip Lehmann foundry, St.-Petersburg, c. 1874.
Lehmann Font from FREE 2024-06-05 In stock
Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by the early 16th century typefaces of I
Lazurski Font from FREE 2024-06-05 In stock
Ladoga — one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles.
Ladoga Font from FREE 2024-06-05 In stock
An original type family designed for ParaType in 2001 by Zakhar Yaschin. The fonts were created within 'One Touch' project. The aim of the experiment was searching for a grapheme through primitive forms and intentional avoiding adjusted
KvadratZ Font from FREE 2024-06-05 In stock
The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition.
Kuzanyan Font from FREE 2024-06-05 In stock
The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface. It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e
Kuenstler 480 Font from FREE 2024-06-05 In stock
Bitstream typeface based on Koch Antiqua by Rudolph Koch (Klingspor, 1922). Koch Antiqua, also known as Locarno and Eve, is the most popular face of one of the great lettering artists of the 20th century.
Kuenstler 165 Font from FREE 2024-06-05 In stock
The typeface (formerly known as Kudryashevskaya Entsiklopedicheskaya) was designed in 1960-1974 by Nikolay Kudryashev and Zinaida Maslennikova at Polygraphmash type design bureau for the Bol'shaya Sovetskaya Entsiklopedia (the Large Soviet Encyclopae
Kudryashev Font from FREE 2024-06-05 In stock
The first version of Kremlin was designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on an informal handwriting. Kremlin is a Russian word for a fortress or a citadel. The reason why the author selected this word for the font name is not quit
Kremlin Pro Font from FREE 2024-06-05 In stock
The Bitstream version of Linotype Janson. Nicholas Kis (Kis Miklos) was a Hungarian punchcutter who worked in Amsterdam. His types are some of the greatest in the Dutch old face style and have been used as models for a number of developments in this centu
Kis Font from FREE 2024-06-05 In stock
Script font developed for ParaType in 2007 by Gennady Fridman on the base of informal handwriting. The handwriting belongs to a woman of middle class that have found her place in the life and does not pretend to get more. It produces a feeling of reliabil
Katherine Font from FREE 2024-06-05 In stock
Kartell type family was designed by Oleg Karpinsky for ParaType in 2006. It consists of three weight styles with corresponding Italics. The Open Type version contains a lot of alternate characters and additional ligatures. Design features: lower contrast
Kartell Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1994 by Tatiana Lyskova. Based on Karola Grotesk of H.Berthold and Bauer type foundries (early 20th century) and Boutique of Haas type foundry (Munchenshtein, Switzerland). Bold style based on Hercules of H.Berthold fou
Karolla Font from FREE 2024-06-05 In stock
Journal Sans New is a contemporary redesign of Journal Sans typeface which was developed in 1940–1956 by the group of designers under Anatoly Shchukin. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A. Dwiggins.
Journal Sans New Font from FREE 2024-06-05 In stock
