Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tsaregorodtseva.
Journal Font from FREE 2024-06-05 In stock
The sketch of Joker has been drawn by Viktor Kharyk in 1978 as experiment on creation type by a method of subtraction. In 2000 the font has been digitized, modified and added by a Hebrew, Greek, Georgian, Armenian and Arabi? alphabets and outline style.
Joker Font from FREE 2024-06-05 In stock
Jeff Script is based on original handwriting of renowned Russian type designer Vladimir Yefimov. Vladimir designed a plenty of Cyrillic fonts that became the classical ones between contemporary Cyrillic type designs.
Jeff Script Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1994 by Alexander Tarbeev. Based on informal handwriting. For use in advertising and display typography.
Jakob Font from FREE 2024-06-05 In stock
The script designed for ParaType in 2006 by Isabella Chaeva. Based on informal handwriting.Its characters have rough jaggy contour; in small sizes the face simulates an effect of handwriting by felted pen on rough paper. For use in advertising and display
Jaggy Font from FREE 2024-06-05 In stock
Designed at Polygraphmash type design bureau in 1988 by Svetlana Yermolaeva. Based on Kirillitsa (1982), inspired by typographic poluustav of the Printing Office of the Russian Empire Academy of Science (late 19th century). Shadow style was added by Alexa
Izhitsa Font from FREE 2024-06-05 In stock
The typeface was designed by Gennady Baryshnikov. Bold Italic is based on Flash typeface, 1939, by Edwin W. Sharr. Additional styles were developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov and Alexander Tarbeev. Inspired by non-joining brush ca
Inform Font from FREE 2024-06-05 In stock
Designed for ParaType in 1999-2003 by Manvel Shmavonyan. Low-contrasted Serif typeface has large x-height and small square cove serifs. For use for text and display typography. Due to its open letterforms and big number of styles the face is a good compan
Hybrid Font from FREE 2024-06-05 In stock
The Bitstream version of Syntax (Stempel, 1968) by Hans Eduard Meier. A humanist sans-serif typeface with an optically even thickness of line which interprets a humanist old style type of the Renaissance. Its vertical strokes are inclined to the right by
Humanist 531 Font from FREE 2024-06-05 In stock
The Bitstream version of Gill Sans (Gill Kayo) of Monotype, 1930, by Eric Gill. A twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel. Best used for display
Humanist 521 Font from FREE 2024-06-05 In stock
Humanist 521 is a Bitstream digitized version of Gill Sans typeface. The font was designed by Eric Gill and released by Monotype circa 1928-1930.
Humanist 521 Font from FREE 2024-06-05 In stock
Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.
Hortensia Font from FREE 2024-06-05 In stock
The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St.-Petersburg). The bold style based on
Herold Font from FREE 2024-06-05 In stock
The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Based on Placard typeface (Hermes Grotesk) of the Lange type foundry (St.-Petersburg), an adaptation of Hermes Grotesk, of the Woellmer type foundry (Berlin, middle of the 19th ce
Hermes Font from FREE 2024-06-05 In stock
PT Henman Pictograms™ was based on Armenian ornaments revived by Henrik Mnatsakanyan, with participation of Manvel Shmavonyan. The digital version was developed for ParaType in 2002 by Manvel Shmavonyan.
Henman Pictograms Font from FREE 2024-06-05 In stock
Based on the late 1970s artwork by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001). That was the only design created by Mnatsakanyan for Latin and Cyrillic. Digital version with adding the missing characters was designed for ParaType in
Henman Font from FREE 2024-06-05 In stock
An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan. Based on the lettering created in 1970s by outstanding Armenian type designer Henrik Mnatsakanyan (1923—2001) of the same name.
Haverj Font from FREE 2024-06-05 In stock
The display typeface that is based on the shapes of traditional Chinese hieroglyphic characters. Designing the font for imitations in the Chinese style the author nevertheless demonstrates serious attitude and thoroughness using the table of keys of the r
Han Zi Font from FREE 2024-06-05 In stock
Type family of two weights was designed in 2000-2001 by Oleg Karpinsky and licensed by ParaType. Similar to Ariergard face in letterforms but differs from it by slab serifs, which always project to the center of an em square.
Gvardia Font from FREE 2024-06-05 In stock
Gothic 725 is the Bitstream version of Akzidenz-Grotesk first issued in 1898 by H. Berthold type foundry (Berlin). It is one of the most famous earliest Sans Serifs known as Grotesques.
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The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs.
Geometric Slabserif Font from FREE 2024-06-05 In stock
Freehand 471 is the Bitstream version of Cascade Script by Matthew Carter. Released by Mergenthaler Linotype in 1965, this design is based on an earlier type by the Ludlow foundry.
Freehand 471 Font from FREE 2024-06-05 In stock
