The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger.
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Raleigh was produced in 1977 by Robert Norton based on Carl Dair's Cartier typeface which was designed for the 1969 Montreal World's Fair. It was renamed after Dair's death. Adrian Williams added three weights for a display series, and Robe
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Designed for ParaType in 2007 by Isabella Chaeva. The type is based on Bukvarnaya (TextBook) photocomposing version designed in 1987 by Emma Zakharova.
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New Letter Gothic was designed for ParaType in 2000 by Gayaneh Bagdasaryan based on monospaced Letter Gothic font by Roger Robertson, 1956-62. Due to clear and easy-to-read lettershapes of Letter Gothic the font is rather popular now for display and adver
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Designed in 1989 by Gennady Baryshnikov with participation of Vladimir Yefimov. Based on the calligraphic typeface of 1979 by Moscow book and type designer Pavel Kuzanyan (1901–1992). For use in advertising and display typography.
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The Bitstream version of Linotype Janson. Nicholas Kis (Kis Miklos) was a Hungarian punchcutter who worked in Amsterdam. His types are some of the greatest in the Dutch old face style and have been used as models for a number of developments in this centu
Kis Font from $56.00 2024-12-26 In stock
The Precursors. The Founders. The Engineers. Known by many names in popular culture, this colony of erudite masters from Long Before were as style-conscious as they were technically adept, and their written glyphs certainly might have resembled YWFT Whisk
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Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes.
Deca Serif Font from $100.00 2024-12-26 In stock
Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in smal
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The design of Reforma Grotesk fonts is based on the letterforms of Russian pre-revolutionary hand composition typefaces: Uzky Tonky Grotesk («Condensed Thin Sans»), Poluzhirny Knizhny Grotesk («Semibold Book Sans») and Reforma of H. Berthold and O. Lehman
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Pragmatica Slabserif was designed as a complement to the popular type family Pragmatica by Vladimir Yefimov and Isabella Chaeva (1989-2004) by addition of square serifs. Inspired by Helserif (Phil Martin, 1978) which was formed in the same way by addition
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Gothic 725 is the Bitstream version of Akzidenz-Grotesk first issued in 1898 by H. Berthold type foundry (Berlin). It is one of the most famous earliest Sans Serifs known as Grotesques.
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Designed at Polygraphmash type design bureau in 1987 as part of Encyclopedia-4 type family by Vladimir Yefimov. Based on Walbaum Fractur, 1800, by a German punchcutter Justus Erich Walbaum.
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This family was inspired by a Type Battle over at Typophile: How would you design a font metrically compatible with Helvetica, but better than Arial? Working with preset letter widths was an interesting constraint, both a relief and a limitation at the sa
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Hext is a geometric display face. When used in blocks of type it forms a repeating pattern of the interlocking hexagons. Use it for unique headlines or single characters. Create simple patterns or more complex creations by stacking letterforms and mixing
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Initially designed in the early-to-mid 1950s, Filmotype Giant is part of a larger group of condensed sans serifs offered by Filmotype at the demand of its customers based on their versatility, legibility, and timeless aesthetic.
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Filmotype Zephyr combines the elegant script capital forms with a classic condensed italic roman to create a smart and stylish typeface.
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Initially designed in the early-to-mid 1950s, Filmotype Quiet was among the first of its Novelty font designs.
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Initially designed in the early-to-mid 1950s, Filmotype Ginger helped usher in the Mod typographic stylings of the early 1960s visual aesthetic yet it retains a classic and timeless feel.
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Initially designed in the early-to-mid 1950s, Filmotype Gem is the boldest member of Filmotype’s larger Grotesque condensed ‘G’ series sans serif typefaces.
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Sorren Ex is a slightly less condensed, more robust version of Sorren. Its overall width has been increased to the point just before its rounded forms begin to flatten, retaining the aesthetic essence of the original without compromise.
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Take a trip down the interstate with Turnpike, an extra wide 1960s style modern gothic font inspired by classic dashboard lettering.
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Maat is a modular geometric stencil display font that includes a number of modular pattern characters, and can be used to create designs that echo early Modernism by merely applying letters, patterns and color. Maat is a loose interpretation of a hand let
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