Ripe Apricot is display typeface with flared semi-serifs. The design was created by renowned Armenian type designer Manvel Shmavonyan who gave to the typeface such a name not because of some associations with letterforms but just because the end of the lo
Ripe Apricot Font from $100.00 2025-01-09 In stock
Revival 565 is the Bitstream version of type Berling. The face was created by Karl-Erik Forsberg for the Swedish Berling foundry in 1951, with other weights added in 1958. The design is an old style roman, particularly useful for books, journals, and othe
Revival 565 Font from $100.00 2025-01-09 In stock
Raleigh was produced in 1977 by Robert Norton based on Carl Dair's Cartier typeface which was designed for the 1969 Montreal World's Fair. It was renamed after Dair's death. Adrian Williams added three weights for a display series, and Robe
Raleigh Font from $156.00 2025-01-09 In stock
The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1
Quant Antiqua Font from $81.00 2025-01-09 In stock
Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on Kudryashevskaya Encyclopedicheskaya of Polygraphmash, 1960–74, a typeface by Nikolai Kudryashev and Zinaida Maslennikova. A very lightweight style with neutral letterforms, it is quite
Petersburg Font from $100.00 2025-01-09 In stock
Font family Titla Brus was developed as an extension of Titla, released earlier in 2009. New slab serif family consists of 10 members that present 5 weights from Light to Black and can be used in combination with Titla or by itself in different display ma
Titla Brus Font from $150.00 2025-01-09 In stock
The name of the font Titla emphasizes it heading and display functionality. At the same time low contrast, narrow proportions, wide variety of weights and clear glyph constructions make it possible to use it for long texts as well.
Titla Font from $180.00 2025-01-09 In stock
The Stempel foundry in Germany produced this version of Garamond in 1925 as a replica of a typeface of a French punchcutter Claude Garamond (middle of the 16th century). This design has an angular incised appearance which is unlike other Garamond types.
Original Garamond Font from $106.00 2025-01-09 In stock
PT Octava™ was designed at ParaType in 2001 by Vladimir Yefimov. The first (Cyrillic only) version named Scriptura Russica (1996) consisting of three styles (book, italic, bold) was commissioned by the Russian Bible Society.
Octava Font from $100.00 2025-01-09 In stock
Designed at Polygraphmash type design bureau circa 1940 (project manager Anatoly Shchukin). Based on text typefaces of the late 19th and early 20th centuries of Obyknovennaya ('Common') group.
New Standard Font from $100.00 2025-01-09 In stock
Designed at Polygraphmash type design bureau in 1963 by Michael Rovensky (1902–1996). The digital version was developed at ParaType (ParaGraph) in 1997 by Lyubov Kuznetsova. An original text and display face with stems tapering downwards.
New Journal Font from $81.00 2025-01-09 In stock
Elegant text and display type family of narrow proportions with distinguishing detail — open junctions in the places where ovals come to vertical stems in B, P, R. The design has noticeable influence of calligraphy and demonstrate dynamic and delicate nat
Nat Flight Font from $100.00 2025-01-09 In stock
Typeface family Narevik consists of 7 styles -- 4 uprights (including black) and 3 italics. It’s a type of dynamic low contrast design with slightly rounded triangle serifs and drops which conveys to it a certain peculiarity.
Narevik Font from $144.00 2025-01-09 In stock
Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners made it calm and serene. Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360
Margon Font from $30.00 2025-01-09 In stock
AQUUS is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures.
AQUUS Font from $180.00 2025-01-09 In stock
Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand com
Cooper Font from $150.00 2025-01-09 In stock
Designed at NII OGIZ type design bureau circa 1940. Based on Latinskaya of the Berthold foundry (St.-Petersburg, 1901), Cyrillic version of Lateinische of H.Berthold (Berlin, 1899). The digital version was developed at ParaType (ParaGraph) in 1996 by Lyub
Literaturnaya Font from $100.00 2025-01-09 In stock
Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by the early 16th century typefaces of I
Lazurski Font from $100.00 2025-01-09 In stock
The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition.
Kuzanyan Font from $56.00 2025-01-09 In stock
The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface. It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e
Kuenstler 480 Font from $100.00 2025-01-09 In stock
Bitstream typeface based on Koch Antiqua by Rudolph Koch (Klingspor, 1922). Koch Antiqua, also known as Locarno and Eve, is the most popular face of one of the great lettering artists of the 20th century.
Kuenstler 165 Font from $56.00 2025-01-09 In stock
The Bitstream version of Linotype Janson. Nicholas Kis (Kis Miklos) was a Hungarian punchcutter who worked in Amsterdam. His types are some of the greatest in the Dutch old face style and have been used as models for a number of developments in this centu
Kis Font from $56.00 2025-01-09 In stock
