categorylist

Serif Fonts - Popular - Page 106 TypeTester Preview

Serif Fonts - Popular - Page 106 Download Serif Fonts, sorted by Popular, Page 106 at FontPath

Serif Fonts: Classic & Contemporary

Our serif fonts offer versatility, ranging from classic to modern, all designed to cater to your creative needs.
Venetian 301 Font

Venetian 301 Font Bitstream version of Centaur type family. Centaur was designed by American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde

7 options from $156.00 2024-11-21 In stock

Schoolbook Font

Schoolbook Font The typeface was designed at the Polygraphmash type design bureau in 1949-61 (project manager Elena Tsaregorodtseva). Based on Shkolnaya ('School') typeface, 1939 (project manager Evgeny Chernevsky), a version of Century Schoolbook of American T

7 options from $100.00 2024-11-21 In stock

Svetlana Font

Svetlana Font Designed in 1976–81 by Michael Rovensky (1902–1996) as the body text companion of his Bazhanov Display typeface (1961), of Polygraphmash typefoundry. Based on the lettering by Moscow book designer Dmitry Bazhanov (1902–1945).

5 options from $100.00 2024-11-21 In stock

Susan Classic Font

Susan Classic Font An original text and display type family was designed for ParaType in 2008 by Manvel Shmavonyan to be used together with Susan, earlier released sans by the same author. This is a low-contrast slabserif font with open letterforms. Its shape is distinguish

5 options from $30.00 2024-11-21 In stock

Standard Poster Font

Standard Poster Font Designed at Polygraphmash type design bureau in 1986. Based on 'English' bold styles of the Ossip Lehmann type foundry (St.-Petersburg), of mid-19th century. The digital version was developed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov.

1 option from $25.00 2024-11-21 In stock

Telegraph Font

Telegraph Font Telegraph font family was developed on the base of scanned images of telegraph printing machines. It consists of 4 styles: Natural is the most close to original scans with all defects of positioning and dirty print on the rough telegraph paper tape; Clean

5 options from $100.00 2024-11-21 In stock

Ripe Apricot Font

Ripe Apricot Font Ripe Apricot is display typeface with flared semi-serifs. The design was created by renowned Armenian type designer Manvel Shmavonyan who gave to the typeface such a name not because of some associations with letterforms but just because the end of the lo

5 options from $100.00 2024-11-21 In stock

Petersburg Font

Petersburg Font Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on Kudryashevskaya Encyclopedicheskaya of Polygraphmash, 1960–74, a typeface by Nikolai Kudryashev and Zinaida Maslennikova. A very lightweight style with neutral letterforms, it is quite

5 options from $100.00 2024-11-21 In stock

Quant Antiqua Font

Quant Antiqua Font The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1

4 options from $81.00 2024-11-21 In stock

Raleigh Font

Raleigh Font Raleigh was produced in 1977 by Robert Norton based on Carl Dair's Cartier typeface which was designed for the 1969 Montreal World's Fair. It was renamed after Dair's death. Adrian Williams added three weights for a display series, and Robe

7 options from $156.00 2024-11-21 In stock

Revival 565 Font

Revival 565 Font Revival 565 is the Bitstream version of type Berling. The face was created by Karl-Erik Forsberg for the Swedish Berling foundry in 1951, with other weights added in 1958. The design is an old style roman, particularly useful for books, journals, and othe

5 options from $100.00 2024-11-21 In stock

Titla Brus Font

Titla Brus Font Font family Titla Brus was developed as an extension of Titla, released earlier in 2009. New slab serif family consists of 10 members that present 5 weights from Light to Black and can be used in combination with Titla or by itself in different display ma

11 options from $150.00 2024-11-21 In stock

Titla Font

Titla Font The name of the font Titla emphasizes it heading and display functionality. At the same time low contrast, narrow proportions, wide variety of weights and clear glyph constructions make it possible to use it for long texts as well.

11 options from $180.00 2024-11-21 In stock

Original Garamond Font

Original Garamond Font The Stempel foundry in Germany produced this version of Garamond in 1925 as a replica of a typeface of a French punchcutter Claude Garamond (middle of the 16th century). This design has an angular incised appearance which is unlike other Garamond types.

5 options from $106.00 2024-11-21 In stock

Octava Font

Octava Font PT Octavaâ„¢ was designed at ParaType in 2001 by Vladimir Yefimov. The first (Cyrillic only) version named Scriptura Russica (1996) consisting of three styles (book, italic, bold) was commissioned by the Russian Bible Society.

5 options from $100.00 2024-11-21 In stock

Orbi Font

Orbi Font Type system Orbi is low contrast antiqua of elegant design with a well developed set of members. It consists of 10 roman and italic faces of different proportions and weights and 3 decorative calligraphic fonts.

17 options from $405.00 2024-11-21 In stock

New Standard Font

New Standard Font Designed at Polygraphmash type design bureau circa 1940 (project manager Anatoly Shchukin). Based on text typefaces of the late 19th and early 20th centuries of Obyknovennaya ('Common') group.

5 options from $100.00 2024-11-21 In stock

Neva Font

Neva Font Neva Regular with Italic was created by Moscow book and type designer Pavel Kuzanyan (1901-1992) at Polygrafmash in 1970 for slugcasting and display composition. Based on simple strict letterforms of Russian classical typefaces.

5 options from $100.00 2024-11-21 In stock

AQUUS Font

AQUUS Font AQUUS is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures.

7 options from $180.00 2024-11-21 In stock

New Journal Font

New Journal Font Designed at Polygraphmash type design bureau in 1963 by Michael Rovensky (1902–1996). The digital version was developed at ParaType (ParaGraph) in 1997 by Lyubov Kuznetsova. An original text and display face with stems tapering downwards.

4 options from $81.00 2024-11-21 In stock

Nat Flight Font

Nat Flight Font Elegant text and display type family of narrow proportions with distinguishing detail — open junctions in the places where ovals come to vertical stems in B, P, R. The design has noticeable influence of calligraphy and demonstrate dynamic and delicate nat

5 options from $100.00 2024-11-21 In stock

Narevik Font

Narevik Font Typeface family Narevik consists of 7 styles -- 4 uprights (including black) and 3 italics. It’s a type of dynamic low contrast design with slightly rounded triangle serifs and drops which conveys to it a certain peculiarity.

8 options from $144.00 2024-11-21 In stock

Cooper Font

Cooper Font Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand com

9 options from $150.00 2024-11-21 In stock

Margon Font

Margon Font Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners made it calm and serene. Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360

19 options from $30.00 2024-11-21 In stock

Close