The name of the font Titla emphasizes it heading and display functionality. At the same time low contrast, narrow proportions, wide variety of weights and clear glyph constructions make it possible to use it for long texts as well.
Titla Font from $180.00 2024-12-26 In stock
Font family Titla Brus was developed as an extension of Titla, released earlier in 2009. New slab serif family consists of 10 members that present 5 weights from Light to Black and can be used in combination with Titla or by itself in different display ma
Titla Brus Font from $150.00 2024-12-26 In stock
Designed at Polygraphmash type design bureau circa 1940 (project manager Anatoly Shchukin). Based on text typefaces of the late 19th and early 20th centuries of Obyknovennaya ('Common') group.
New Standard Font from $100.00 2024-12-26 In stock
PT Octava™ was designed at ParaType in 2001 by Vladimir Yefimov. The first (Cyrillic only) version named Scriptura Russica (1996) consisting of three styles (book, italic, bold) was commissioned by the Russian Bible Society.
Octava Font from $100.00 2024-12-26 In stock
AQUUS is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures.
AQUUS Font from $180.00 2024-12-26 In stock
Designed at Polygraphmash type design bureau in 1963 by Michael Rovensky (1902–1996). The digital version was developed at ParaType (ParaGraph) in 1997 by Lyubov Kuznetsova. An original text and display face with stems tapering downwards.
New Journal Font from $81.00 2024-12-26 In stock
Elegant text and display type family of narrow proportions with distinguishing detail — open junctions in the places where ovals come to vertical stems in B, P, R. The design has noticeable influence of calligraphy and demonstrate dynamic and delicate nat
Nat Flight Font from $100.00 2024-12-26 In stock
Typeface family Narevik consists of 7 styles -- 4 uprights (including black) and 3 italics. It’s a type of dynamic low contrast design with slightly rounded triangle serifs and drops which conveys to it a certain peculiarity.
Narevik Font from $144.00 2024-12-26 In stock
Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand com
Cooper Font from $150.00 2024-12-26 In stock
Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners made it calm and serene. Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360
Margon Font from $30.00 2024-12-26 In stock
Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by the early 16th century typefaces of I
Lazurski Font from $100.00 2024-12-26 In stock
Designed at NII OGIZ type design bureau circa 1940. Based on Latinskaya of the Berthold foundry (St.-Petersburg, 1901), Cyrillic version of Lateinische of H.Berthold (Berlin, 1899). The digital version was developed at ParaType (ParaGraph) in 1996 by Lyub
Literaturnaya Font from $100.00 2024-12-26 In stock
The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface. It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e
Kuenstler 480 Font from $100.00 2024-12-26 In stock
The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition.
Kuzanyan Font from $56.00 2024-12-26 In stock
Bitstream typeface based on Koch Antiqua by Rudolph Koch (Klingspor, 1922). Koch Antiqua, also known as Locarno and Eve, is the most popular face of one of the great lettering artists of the 20th century.
Kuenstler 165 Font from $56.00 2024-12-26 In stock
Kartell type family was designed by Oleg Karpinsky for ParaType in 2006. It consists of three weight styles with corresponding Italics. The Open Type version contains a lot of alternate characters and additional ligatures. Design features: lower contrast
Kartell Font from $100.00 2024-12-26 In stock
The Bitstream version of Linotype Janson. Nicholas Kis (Kis Miklos) was a Hungarian punchcutter who worked in Amsterdam. His types are some of the greatest in the Dutch old face style and have been used as models for a number of developments in this centu
Kis Font from $56.00 2024-12-26 In stock
Hannes von Döhren created Love Potion. Three fonts (Regular/Bold/Ornaments) that include extravagant Ligatures, Swash Letters, Catchwords, Arrows, Borders and other little specials.
Love Potion Font from $69.00 2024-12-26 In stock
Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes.
Deca Serif Font from $100.00 2024-12-26 In stock
The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs.
Geometric Slabserif Font from $156.00 2024-12-26 In stock
Ladoga — one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles.
Ladoga Font from $100.00 2024-12-26 In stock
Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps.
Leksa Font from $450.00 2024-12-26 In stock
