![Titla Brus Font Titla Brus Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3906/c/T3906_00.jpg?20240504142902)
Font family Titla Brus was developed as an extension of Titla, released earlier in 2009. New slab serif family consists of 10 members that present 5 weights from Light to Black and can be used in combination with Titla or by itself in different display ma
Titla Brus Font from FREE 2024-06-05 In stock
![Titla Font Titla Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3905/c/T3905_00.jpg?20240504142858)
The name of the font Titla emphasizes it heading and display functionality. At the same time low contrast, narrow proportions, wide variety of weights and clear glyph constructions make it possible to use it for long texts as well.
Titla Font from FREE 2024-06-05 In stock
![AQUUS Font AQUUS Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3653/c/T3653_00.jpg?20141104142069)
AQUUS is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures.
AQUUS Font from $45.00 2024-07-07 In stock
![Kuzanyan Font Kuzanyan Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3812/c/T3812_00.jpg?20240504143107)
The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition.
Kuzanyan Font from FREE 2024-06-05 In stock
![Aranjuez Font Aranjuez Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3652/c/T3652_00.jpg?20141104142069)
Aranjuez is the latest Koziupa and Paul adventure. This time, they max out on calligraphic art deco, then add a healthy dose of the thick-and-thin mantra that's been so trendy for quite a few years now.
Aranjuez Font from $59.00 2024-07-07 In stock
![Magistral Font Magistral Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3826/c/T3826_00.jpg?20240504143128)
The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov. They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997).
Magistral Font from FREE 2024-06-05 In stock
![PT Sans Pro Font PT Sans Pro Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3918/c/T3918_00.jpg?20240504143244)
PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions.
PT Sans Pro Font from FREE 2024-06-05 In stock
![Lehmann Font Lehmann Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3816/c/T3816_00.jpg?20240504143337)
PT Lehmannâ„¢ was designed for ParaType in 2002 by Tagir Safayev. Inspired by letterforms of Shiroky (Wide) Renaissance typeface and other fonts of Ossip Lehmann foundry, St.-Petersburg, c. 1874.
Lehmann Font from FREE 2024-06-05 In stock
![Pragmatica Slabserif Font Pragmatica Slabserif Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3868/c/T3868_00.jpg?20240504143421)
Pragmatica Slabserif was designed as a complement to the popular type family Pragmatica by Vladimir Yefimov and Isabella Chaeva (1989-2004) by addition of square serifs. Inspired by Helserif (Phil Martin, 1978) which was formed in the same way by addition
Pragmatica Slabserif Font from FREE 2024-06-05 In stock
![Pragmatica Font Pragmatica Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3867/c/T3867_00.jpg?20240504143417)
The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva. A spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Inspired by Helvetica (Neue
Pragmatica Font from FREE 2024-06-05 In stock
![Engravers Gothic Font Engravers Gothic Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3764/c/T3764_00.jpg?20240504143513)
Designed at Bitstream. An old extended Grotesque. For use in advertising and display typography. Cyrillic version with adding Bold style created for ParaType in 2003 by Isabella Chaeva.
Engravers Gothic Font from FREE 2024-06-05 In stock
![Elizabeth Font Elizabeth Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3760/c/T3760_00.jpg?20240504143457)
The hand composition typeface was developed at the Ossip Lehmann type foundry (St. Petersburg) in 1904-07 (after designs by Alexander Leo?). It was redeveloped at Polygraphmash in 1960s for slugcasting composition.
Elizabeth Font from FREE 2024-06-05 In stock
![Elina Decor Font Elina Decor Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3759/c/T3759_00.jpg?20240504143453)
Elina continues the series of graceful calligraphic typefaces by Natalia Vasilyeva that partially imitate broad pen drawings. The family consists of two styles -- normal and decorative.
Elina Decor Font from FREE 2024-06-05 In stock
![Elina Font Elina Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3758/c/T3758_00.jpg?20240504143449)
Elina continues the series of graceful calligraphic typefaces by Natalia Vasilyeva that partially imitate broad pen drawings. The family consists of two styles -- normal and decorative.
Elina Font from FREE 2024-06-05 In stock
![Didona Extra Bold Font Didona Extra Bold Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3752/c/T3752_00.jpg?20240504143437)
Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on letterforms of Firmin Didot, a French typographer from the 18th century, ITC Didi, of 1970, by Herb Lubalin and Tom Carnase, and Russian typefaces of the 18th-19th centuries.
Didona Extra Bold Font from FREE 2024-06-05 In stock
![Didona Font Didona Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3751/c/T3751_00.jpg?20240504143433)
Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on letterforms of Firmin Didot, a French typographer from the 18th century, ITC Didi, of 1970, by Herb Lubalin and Tom Carnase, and Russian typefaces of the 18th-19th centuries.
Didona Font from FREE 2024-06-05 In stock
![Circus Didot Font Circus Didot Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3741/c/T3741_00.jpg?20240504143702)
Circus Didot typeface presents a rework of a typical neoclassical serif type in a constructivist style. Analyzing the shapes of characters author placed basic geometric figures — triangles, rectangles, circles… above the contours of letters. Resulting con
Circus Didot Font from FREE 2024-06-05 In stock
![Bazhanov Font Bazhanov Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3719/c/T3719_00.jpg?20240504143759)
PT Bazhanov was designed at Polygraphmash type design bureau in 1961 by Michael Rovensky (1902-1996). Based on the lettering by Moscow book designer Dmitry Bazhanov (1902-1945).
Bazhanov Font from FREE 2024-06-05 In stock
![Baker Signet Font Baker Signet Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3714/c/T3714_00.jpg?20240504143743)
Bitsream version of Baker Signet typeface designed by well-known calligrapher Arthur Baker in 1965 for Visual Graphic Corporation (VGC). A design on classical lines with subtle but effective calligraphic touches and flare stroke terminals. For use in adve
Baker Signet Font from FREE 2024-06-05 In stock
![Bachenas Font Bachenas Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3713/c/T3713_00.jpg?20240504143739)
The typeface was designed for Polygraphmash type design bureau in 1963 by Lithuanian book and type designer Vitoldas Bachenas. There is a low-contrast Serif with some unusual elements. For use in text and display matter.
Bachenas Font from FREE 2024-06-05 In stock
![Bank Gothic Font Bank Gothic Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3716/c/T3716_00.jpg?20240504143831)
Designed at American Type Founders in 1930-33 by Morris F. Benton. An all-capital sans serif featuring squared-off letters with rounded corners. For use in advertising and display typography.
Bank Gothic Font from FREE 2024-06-05 In stock
![Kahlo Font Kahlo Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3270/c/T3270_00.jpg?20141104142069)
Kahlo is a latin style hipster typography, to is a formal and elegant option for designers. Is a font with four weights and italics, initial capital letters, have some alternate characters and ending.
Kahlo Font from $25.00 2024-07-07 In stock
![Astoria Font Astoria Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3257/c/T3257_00.jpg?20240618094648)
Astoria is a handmade typography with strong Art Deco roots. Ideal for illustrative posters and subtle details. Have fun! Designed by TOMO.
Astoria Font from FREE 2024-06-30 In stock
![Seconda Round Font Seconda Round Font](https://d39l2hkdp2esp1.cloudfront.net/img/type/T3244/c/T3244_00.jpg?20160729045418)
Seconda Round is a contemporary, legible, and versatile typeface. It is the round companion of Seconda. Unlike Seconda Soft, which has moderate rounding--the edges of Seconda Round's characters are fully rounded.
Seconda Round Font from FREE 2024-07-07 In stock