The typeface was designed at the Polygraphmash type design bureau in 1949-61 (project manager Elena Tsaregorodtseva). Based on Shkolnaya ('School') typeface, 1939 (project manager Evgeny Chernevsky), a version of Century Schoolbook of American T
Schoolbook Font from FREE 2024-06-05 In stock
Based on the letterforms of Zagolovochnaya gazetnaya (Newspaper Display) type family of Polygraphmash in 1962 by Iraida Chepil et al. That face was a revival of Cyrillic version of Monotype Caslon designed in the late of 1930s. The artworks of Zagolov
Zagolovochnaya Font from FREE 2024-06-05 In stock
The Bitstream version of Melior, a twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952. It is based on Zapf’s thoughts about the squared-off circle known as a super-ellipse.
Zapf Elliptical 711 Font from FREE 2024-06-05 In stock
The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1
Quant Antiqua Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on Kudryashevskaya Encyclopedicheskaya of Polygraphmash, 1960–74, a typeface by Nikolai Kudryashev and Zinaida Maslennikova. A very lightweight style with neutral letterforms, it is quite
Petersburg Font from FREE 2024-06-05 In stock
Designed at Polygraphmash type design bureau circa 1940 (project manager Anatoly Shchukin). Based on text typefaces of the late 19th and early 20th centuries of Obyknovennaya ('Common') group.
New Standard Font from FREE 2024-06-05 In stock
PT Octava™ was designed at ParaType in 2001 by Vladimir Yefimov. The first (Cyrillic only) version named Scriptura Russica (1996) consisting of three styles (book, italic, bold) was commissioned by the Russian Bible Society.
Octava Font from FREE 2024-06-05 In stock
Orbi Sans was designed as an extension of the font system Orbi released on the end of 2010. It’s a low contrast humanist sans serif of open design with the elements of dynamic nature that inherited from Orbi its elegance and clearness.
Orbi Sans Font from FREE 2024-06-05 In stock
Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners made it calm and serene. Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360
Margon Font from FREE 2024-06-05 In stock
Designed at NII OGIZ type design bureau circa 1940. Based on Latinskaya of the Berthold foundry (St.-Petersburg, 1901), Cyrillic version of Lateinische of H.Berthold (Berlin, 1899). The digital version was developed at ParaType (ParaGraph) in 1996 by Lyub
Literaturnaya Font from FREE 2024-06-05 In stock
The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition.
Kuzanyan Font from FREE 2024-06-05 In stock
Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes.
Deca Serif Font from FREE 2024-06-05 In stock
Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in smal
Deca Sans Font from FREE 2024-06-05 In stock
Designed by Dr. Konrad F. Bauer and Walter Baum in 1964, Impressum is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Impressum is a registered trademark of Bauer Types SA.
Impressum Font from $19.95 2024-07-02 In stock
Microgramma was designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals. The design was revisited by the same designers ten years later; Eurostile was the result.
Microgramma Font from $19.95 2024-07-02 In stock
The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs.
Geometric Slabserif Font from FREE 2024-06-05 In stock
Designed for ParaType in 1999-2003 by Manvel Shmavonyan. Low-contrasted Serif typeface has large x-height and small square cove serifs. For use for text and display typography. Due to its open letterforms and big number of styles the face is a good compan
Hybrid Font from FREE 2024-06-05 In stock
A universal text type was designed by Natalia Vasilyeva for ParaType in 2007. The type family is consist of 8 styles. Also corresponding decorative italic with calligraphic swash capitals was developed.
Selina Font from FREE 2024-06-05 In stock
CS Fuzzy Logic combines coincidence and logic. The individual glyphs of Fuzzy Logic are almost dissolved but keep its sharpness and readability in texts.
CS Fuzzy Logic Font from $39.95 2024-07-02 In stock
Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on letterforms of Firmin Didot, a French typographer from the 18th century, ITC Didi, of 1970, by Herb Lubalin and Tom Carnase, and Russian typefaces of the 18th-19th centuries.
Didona Extra Bold Font from FREE 2024-06-05 In stock
Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on letterforms of Firmin Didot, a French typographer from the 18th century, ITC Didi, of 1970, by Herb Lubalin and Tom Carnase, and Russian typefaces of the 18th-19th centuries.
Didona Font from FREE 2024-06-05 In stock
Designed by Freeman Craw in 1958, Craw Modern is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian.
Craw Modern Font from $19.95 2024-07-02 In stock
