The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger.
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Telegraph font family was developed on the base of scanned images of telegraph printing machines. It consists of 4 styles: Natural is the most close to original scans with all defects of positioning and dirty print on the rough telegraph paper tape; Clean
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Designed at ParaType (ParaGraph) in 1997 by Tagir Safayev. Based on OCR-A typeface (1968) of American Type Founders. A simple sans serif typeface designed to meet the requirements of the US Bureau of Standards for optical character recognition.
OCR One Font from FREE 2024-06-05 In stock
Orbi Sans was designed as an extension of the font system Orbi released on the end of 2010. It’s a low contrast humanist sans serif of open design with the elements of dynamic nature that inherited from Orbi its elegance and clearness.
Orbi Sans Font from FREE 2024-06-05 In stock
New Letter Gothic was designed for ParaType in 2000 by Gayaneh Bagdasaryan based on monospaced Letter Gothic font by Roger Robertson, 1956-62. Due to clear and easy-to-read lettershapes of Letter Gothic the font is rather popular now for display and adver
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Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners made it calm and serene. Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360
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A set of figures designed at ParaType (ParaGraph) in 1992 by Elvira Slysh.
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Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes.
Deca Serif Font from FREE 2024-06-05 In stock
Super family Deca consists of ten fonts — six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif. These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in smal
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The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs.
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PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions.
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The design of Reforma Grotesk fonts is based on the letterforms of Russian pre-revolutionary hand composition typefaces: Uzky Tonky Grotesk («Condensed Thin Sans»), Poluzhirny Knizhny Grotesk («Semibold Book Sans») and Reforma of H. Berthold and O. Lehman
Reforma Grotesk Font from FREE 2024-06-05 In stock
Nat Grotesk family consists of 14 styles including 6 narrow ones. It has a half-closed sans serif design with simple and clear lettershapes. Due to compact proportions the face is very space saving, but nevertheless it is rather legible even in small size
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The typeface was designed at ParaType (ParaGraph) in 1990 by Alexander Tarbeev based on Pragmatica typeface, 1989 by Vladimir Yefimov. A monospaced condensed sans serif.
Mono Condensed Font from FREE 2024-06-05 In stock
The Bitstream version of Syntax (Stempel, 1968) by Hans Eduard Meier. A humanist sans-serif typeface with an optically even thickness of line which interprets a humanist old style type of the Renaissance. Its vertical strokes are inclined to the right by
Humanist 531 Font from FREE 2024-06-05 In stock
A universal text type was designed by Natalia Vasilyeva for ParaType in 2007. The type family is consist of 8 styles. Also corresponding decorative italic with calligraphic swash capitals was developed.
Selina Font from FREE 2024-06-05 In stock
Pragmatica Slabserif was designed as a complement to the popular type family Pragmatica by Vladimir Yefimov and Isabella Chaeva (1989-2004) by addition of square serifs. Inspired by Helserif (Phil Martin, 1978) which was formed in the same way by addition
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The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva. A spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Inspired by Helvetica (Neue
Pragmatica Font from FREE 2024-06-05 In stock
Gothic 725 is the Bitstream version of Akzidenz-Grotesk first issued in 1898 by H. Berthold type foundry (Berlin). It is one of the most famous earliest Sans Serifs known as Grotesques.
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Designed at ParaType (ParaGraph) in 1990 by Tagir Safayev. Based on Courier typewriter face of International Business Machines, 1956, by Howard Kettler. The decorative styles were added in 1997 by Alexander Tarbeev.
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A stencil typeface designed by Andrey Belonogov. Some discrepancy of uppercase and lowercase letterforms seems to be occasional which is typical for hand-made stencil advertisements. For use in display typography. Released by ParaType in 2008.
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Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. Name of the font derives from both its geometric shapes and artificial, kinky nature. While being clean and simple in its basic form, Circe can become more i
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The Bitstream version of Bell Gothic designed by Chauncey H. Griffith in 1938 for use in the telephone directories of the Bell Telephone Company. It is a good Sans Serif choice for listings, catalogues and directories due to its design is very space savin
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PT Adonis was designed by Natalia Vasilyeva and licensed by ParaType in 2002. An original typeface, its characters have slightly oblong proportions, with rounded serifs and generally soft letterforms. The face is both space-saving and quite legible in sm
Adonis Font from FREE 2024-06-05 In stock
